Hal McGee 1909E |
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Dictaphonia Microcassette Compilation project Hal McGee music January through May 2009 Hal McGee Music Index containing listings for McGee's albums of the 1980s, 1990s, and 2000s The Analog Synthesizer Ensemble Homemade Alien Music podcasts
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originally released late Summer 1998
The Sushi That Ate Tokyo (6:17) 192 kbps 8.63 MB mp3 Electric Eels (23:03) 192 kbps 31.6 MB mp3 Marijuanalysis, Part Two (1:16) 192 kbps 1.74 MB mp3 Marijuanalysis, Part One (7:39) 192 kbps 10.5 MB mp3 The Dog Bites Back (22:57) download 192 kbps 31.5 MB mp3 Recorded during the Summer of 1998, 1909E is an album of
sounds recorded in and around my one bedroom apartment in Gainesville,
Florida, where I have lived since January 1992. It was created on a Fostex
XR-5 4-track cassette recorder. The opening track, "The Soundtrack To The Television
Special About The Making Of 'The Sushi That Ate Tokyo' ", starts
out with overlapping layers of shortwave radio transmissions and Casio
VA-10 keyboard feedback and tonal bursts -- and later segues into tapes
of dogs barking and spoken word statements about the importance of saying
nothing. "Electric Eels" is a 23 minute electronic jam with rippling pulsating bass synth patterns, overlaid with chaotic Moog flourishes and swirlicues and white noise drones, theremin swoops, over the top of refrains from "The Sushi That Ate Tokyo".
"The Dog Bites Back" is another 23 minute excursion
-- this time with sustained organ tones that crash into discord collisions
-- with spoken word importance of saying nothing refrains -- with arbitrarily
inserted tapes of apartment yard lawn blowers, barking howling dogs, screaming
children, airplanes overhead, and mundane discussions with a neighbor
about Fall weather and how our dogs eat grass to settle their stomachs
but most of the time just vomit it up... "Marijuanalysis" (Parts 2 & 1) is a multi-tracked
spoken word tape collage of my ruminations about how the use of marijuana,
by short-circuiting short-term memory, causes the user to experience the
mundane and everyday in more detail, and other nonsense about espresso
and various subjects. 1909E is one of my most dadaistic works, and also one which seeks to blend electronic synthesis and sound-making and with tape collage treatments of daily sounds. |